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  • image SM Adam volume 32/24

Reference number

SM Adam volume 32/24

Purpose

[26] Design for the second scheme of alterations to the house, 1777

Aspect

Ground plan of a house with a principal nine-bay range, with a single-bay central porch, and with three further ranges around a courtyard, with the central five bays on the garden front slightly recessed, and with two three-bay bows on one side, and containing reception, domestic and service rooms

Scale

bar scale of 1 3/5 inches to 10 feet

Inscribed

Plan of the Principal Story of Mamhead / one of the Seats of Lord Viscount Lisburne (in the hand of William Adam) / Laundry / Bake House / Passage / Larder / Larder / Scullery / Kitchen / House keepers room / Servants Hall / Door (in pencil) / Stewards room / Butlers pantry / Water Closet / Cellar / Room for papers (in pencil) / Parlor / Butlers room / Passage / Hall / Passage / Great Stairs / Drawing room / Eating room / Pillars enclosed to make the (in pencil) / Windows regular within (in pencil) / Side board (in pencil) / Library / Water Closet / Door (in pencil) / Room for papers / Scullery to Dairy / Dairy / Wash house / North (in pencil) / South (in pencil) with each room name underwritten in pencil, and measurements given (verso) 4

Signed and dated

  • 16/05/1777
    Adelphi / May 16t 1777

Medium and dimensions

Pen, pencil and wash on laid paper (488 x 722)

Hand

Adam office hand, with addition to title inscription in the hand of William Adam

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 22
Rowan, 1988, p. 88
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).