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image 3/5/32

Reference number

3/5/32

Purpose

[76] Survey drawing of the attic storey and parapet

Aspect

Plan of the attic; detail of the north corner; section of the balustrade; plan of a pilaster; (verso) laid out sections corresponding to rooms A to I on the recto; plan of Attic Chimneys & Grate; detail of door and window architraves

Scale

to a scale

Inscribed

as above, William Praed Esqre, Sketch of the Attics at Tyringham, rooms lettered A to L, there are no half Balusters / round the Bow, 6 Bal[usters] (three times, 5 Bal[usters], 1 whole / Bal[uster], 11 whole Bal[usters], 13 whole Bal[usters], 11 Whole Bal[usters], 13 Whole Balusters, 13 Whole Bal[usters], Cornice, Section at / B, A, A, 2 bal[usters], 8 bal, 2 bal, 8 bal, 2 bal, 8 bal, 2 bal, A, 9.11 high from / floor to Beams / 10.5 from floor to Cielg, C, D, E, F, 7.4 high from / floor to Beams / & 7.11 from floor to / Cielg, 10.6 high from / floor to Cielg / 10:0 high from / floor to Beams, L, K, I, H, G and dimensions given in pen and pencil; (verso) Section of the Room / A, Section through / Middle of Room / A, Section of the back / Bow Room / B, Section of the Room / C, Section of D / behind the / window, D, D, Section of the Room D, Section of the Room H, Section of the Room I, Section of the Room F, Section of the Room G, Section of the Passage K, Architrave to Doors & windows in / all the Attics except / 2 bow Rooms, Recess, Attic Chimney & Grate, Section of Passage, Sections of the / within Rooms and dimensions given

Medium and dimensions

Pen, pencil, red pen on laid paper with two fold marks (491 x 409)

Hand

Soane office

Watermark

fleur-de-lis 1796

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).