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  • image SM 3/5/8

Reference number

SM 3/5/8

Purpose

[67] Working drawing for the roof timbers, 30 April 1795

Aspect

Plan of the One Pair Floor; (verso) section through the house showing tribune with some alterations; plan of the tribune; and rough section of the tribune on the first floor

Scale

(recto and verso) bar scale of 1/5 inch to 1 foot, approximately

Inscribed

as above, William Praed Esqr, plan lettered A to Z corresponding to key: Flues // A Butlers Pantry // B Library // C Steam flue from Kitch[en] // D Back Room Mezzan: // E Drawing Room // F Kitchen // G Oven // H Servants Hall // I Eating Room // K Wine Cellar // L Hall // M Servants Hall // N Mezzanine Ang:[ular] Ch:[imney] // O Dressg Room Grd Floor // P Dressing Room Grd Floor // Q Dressing Room Mezz: // R Housekeepers Room // S Front Room Mezz: // T From Offices // U From Offices // V Billiard Room // W From Offices // X Chamber Grd Floor // Y From Offices // Z Spare Flue // &c Spare Flue, and labelled No 1 to No 12 and dimensions given; (verso) Copy of this plan & the two Sections // sent to Richards June 1795, Opening of the / Lanthern light

Signed and dated

  • April 1795
    Copy Lincolns Inn Fields April 1795, A Copy of this sent to Richards at Tyringham / April 30th 1795

Medium and dimensions

Pencil, pen and pink, grey and yellow washes on wove paper (690 x 554)

Hand

Soane office

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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