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image SM (2) volume 41/79v

Reference number

SM (2) volume 41/79v

Purpose

Design for a (?) stove, 7 July 1786

Aspect

2 Plan and elevation

Scale

bar scale of 7/8 inch to 1 foot

Inscribed

Countess of Pembroke, 3"0, (pencil, Soane) 1.6 (twice), 1.0 (three times)

Signed and dated

July 7th 1786

Medium and dimensions

Pen and grey and black washes, pencil, on laid paper (244 x 364) bound into 'Precedents in Architecture' SM volume 41

Hand

attributed to John Sanders (pupil 1784-90)

Notes

The drawing is for the west wall of the room that adjoins the front entrance vestibule (as in survey drawing 3). The fireplace appears to be faced with a screen; whether this is a movable or permanent structure is unclear. Having a triangular pediment and two anthemion acroteria, the screen resembles a cinerary urn or Grecian stele. A circular oculus permits a view inside to the hearth. A statue is situated in an apsidal niche centred on the wall.

The segmental-headed arches are altered in pencil to have a triangular form.

Drawing 2 is on a sheet with a design for Chillington Hall made by John McDonnell on the same date. See Chillington Hall, Staffordshire: alterations and additions for Thomas Giffard, 1785-90 (25), drawing 14.

Soane's Journal No 1 records drawings presented in July 1786 for alterations to the garrets and ante room. Further drawings for the ante room were made in November 1786, with a design settled in December. The Journal records frequent visits to Pembroke Lodge in January and February, suggesting that the designs were actually constructed.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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