[49] Working drawing for mouldings to the staircase, 7 November 1789

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Country houses, etc.
  - Bentley Priory, Harrow, London: (executed) two additions, outbuildings and an entrance hall addition for John James Hamilton, later 9th Earl, 1st Marquess of Abercorn, 1788-1799, 1805 (178)
    - Working drawings for mouldings to the staircase, 7 November 1789 (2)

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Reference number

SM 80/1/72

Purpose

[49] Working drawing for mouldings to the staircase, 7 November 1789

Aspect

Details of the Cornice to the staircase and string to Staircase A

Scale

full size

Inscribed

as above, Moldings to Staircase, The Earl of Abercorn, full size, level of / bedchamber floors, upper step, line of plaister (three times), line of plinth, (part pencil) cieling line, (pencil) face of battens, line, line of cieling joists

Signed and dated

7 November 1789
Welbeck Street, Nov^r6^th1789

Medium and dimensions

Pen and grey and pink washes, pencil, on laid paper (556 x 687)

Hand

Attributed to Sanders, John (1768--1826) - Library - Catalogs, draughtsman
attributed to John Sanders (1768 - , pupil 1784-90)

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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