- The drawings from the office of Sir John Soane
In drawing 1, the pediment has a plain frieze and acanthus antefixes, with pencil alterations suggesting a motif in the tympanum. Drawing 2 is a development from drawing 1, having the same design and including the pencil alterations to drawing 1, such as an ouroboros on the pediment. The strigilated urn has serpents in the handles. Drawing 2 shows the backing slab as a yellow marble surface.
Drawing 2 also includes gestures of naval ornament, an unfitting inclusion for the banker Claude Bosanquet, but these pencil additions were probably included when Soane reused the drawing for his designs of the Bridport Monument, 1815-16 (q.v.).
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).