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  • image SM 28/5/12

Reference number

SM 28/5/12

Purpose

[14] Variant elevation for the front (not as executed), 26 May 1792

Aspect

Elevation of the Entrance Front No:1

Scale

bar scales of 1/4 inch to one foot approximately

Inscribed

as above, The bottom of this Cornice / to range with the bottom / of the present Cornice, The height of this Window to be determined by the height of / the Attic windows, a. a. &c These Panes of / Glass to be all equal, vertical and horizontal dimensions given

Signed and dated

  • 26 May 1792
    Great Scotland Yard May 26th: 1792

Medium and dimensions

Pen and sepia washes, shaded, partly pricked for transfer, on wove paper (477 x 617)

Hand

Possibly Thomas Chawner (1774 - 1851), draughtsman
The relevant Soane office Day Book entry for 26 May 1792 has 'Chawner' and 'Meyer' (Thomas Chawner, 1774-1851, pupil 1788-1794) and (Frederick Meyer, 1775-?, pupil 1791-1796)
Possibly Frederick Meyer (1775), draughtsman
The relevant Soane office Day Book entry for 26 May 1792 has 'Chawner' and 'Meyer' (Thomas Chawner, 1774-1851, pupil 1788-1794) and (Frederick Meyer, 1775-?, pupil 1791-1796)

Level

Drawing

Exhibition history

From Son of Slave to Sheriff of Monmouthshire: Nathaniel Wells of Piercefield and St Kitts (1779-1852), Chepstow Museum, 7 May 2003 - January 2004

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).