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image SM Adam volume 11/150

Reference number

SM Adam volume 11/150

Purpose

[58] Design for the ceiling for the state dressing room (now the Spanish library), 1767, as executed

Aspect

Plan of a rectangular ceiling with a deep cove ornamented with lozenges of bell flowers enclosing anthemia and enclosed rosettes, framed by half rosettes enclosed by semicircular fans, and with a border of anthemia and strigils. The central flat is tripartite, and divided by rosettes enclosed by guilloche. The central square compartment containing a central rosette, enclosed by a fan, anthemia, drops of calyx forming lozenges, and fans, within a circular fluted frame, and with anthemia and rinceaux in the corners. The central square compartment is flanked by tripartite borders of rectangles containing octagons enclosing rosettes within fans

Scale

bar scale of 1/2 inch to 1 foot

Inscribed

For the Gawthorpe Principal Dressing Room / Design of a Cieling for the Room on the left hand side of the Saloon at Gawthorpe. The Seat of Edwin Lascelles Esqr and some dimensions given

Signed and dated

1767

Medium and dimensions

Pen and wash within a single ruled border on laid paper (563 x 462)

Hand

Adam office hand, possibly William Hamilton

Literature

Bolton, 1922, Volume II, Index p. 16
Harris, 2001, p. 153
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).