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  • image SM (40) volume 42/191

Reference number

SM (40) volume 42/191

Purpose

Working drawing for the Deputy Accountant's Eating Room, 23 February 1798

Aspect

40 Details of cornice with trefoil and ball mouldings, a simpler cornice, and a stepped moulding with lion mask

Scale

(Soane) ½ full size

Inscribed

as above and (Soane) Dept Acct Eatg Room with pencil underwriting by Dance

Signed and dated

  • Feb: 23d. 1798

Hand

George Dance (1741-1825) and Soane

Notes

Drawing 40 is a design for the eating room in the Deputy Accountant's residence, located at the north-west corner of the new extension. The room is shown on SM 9/2/16 (see drawing 103 in 2:7), having a quarter-circular shape, and situated behind the twin columns in the north-west corner of the Residence Court.

The pencil underwriting appears to be by Dance, with Soane's drawings overlaid and Soane's inscriptions.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).