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image Image 1 for SM (18) 81/2/75 (19) 81/2/68
image Image 2 for SM (18) 81/2/75 (19) 81/2/68
  • image Image 1 for SM (18) 81/2/75 (19) 81/2/68
  • image Image 2 for SM (18) 81/2/75 (19) 81/2/68

Reference number

SM (18) 81/2/75 (19) 81/2/68

Purpose

Design and working drawing, one dated 16 June 1804 (2)

Aspect

18 Alternative elevations 19 Full size detail

Scale

(18-19) bar scale

Inscribed

18 some (pencil) dimensions given 19 (pencil) Bank No.11, Veined & black Marble, Liverpool Dining Room Drawing and some dimensions given

Hand

Soane office

Notes

Drawing 18 shows alternative designs for a chimney-piece. The left hand elevation is for a chimney-piece treated in a plain sort of way with jambs framed by fluting and with a rough scroll pattern added in pencil. The jambs of the chimney-piece on the right hand side are fluted either side of a black marble panel; the frieze is also fluted and the corner block(s) have an incised inverted and squared Ionic capital motif. The inscription 'Liverpool Dining Room Drawing' probably relates to the Liverpool branch of the Bank of England, to which Soane made alterations in 1826-27.

Drawing 19 is a detail of the right-hand design shown on drawing 18. It is probable that this was the design chosen and that drawing 19 is a copy of a working drawing used during construction.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).