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image Image 1 for SM (32) 1/6/18
image Image 2 for SM (32) 1/6/18
  • image Image 1 for SM (32) 1/6/18
  • image Image 2 for SM (32) 1/6/18

Reference number

SM (32) 1/6/18

Purpose

Working drawing for the attic, 15 October 1804

Aspect

32 (Soane) Section through the North / West End of the Bank; rough (pencil) plan of columns set on a concave segmental plan; detail of a column base; (verso) four details of a cornice

Scale

to a scale

Inscribed

as above, The Bank of England, Design for the North West Corner, (Soane) Bank, (feint pencil) (?) Qy Temple of / ---- (illegible), and dimensions given

Signed and dated

L.I.F. / Octr 16 1804 (pencil) Oct. 15: 1804

Hand

Soane and Soane office

Notes

The elevation shows the alignment of the attic over the columns and building foundation, omitting the intermediate level. The parapet of the screen wall is attached to the attic on the right-hand side of the drawing, suggesting that the attic platform serves as a passage for the rampart walk.

An inscription in Soane's hand, added to the finished drawing, marks the base of the columns shaft as 2'6"¼ in diameter, the same diameter as that included in his Margate preliminary design (drawing 21) as well as the Dance's measurements for the Temple of Vesta at Tivoli.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).