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image Image 1 for SM (214) 66/5/2 (215) 66/5/6
image Image 2 for SM (214) 66/5/2 (215) 66/5/6
  • image Image 1 for SM (214) 66/5/2 (215) 66/5/6
  • image Image 2 for SM (214) 66/5/2 (215) 66/5/6

Reference number

SM (214) 66/5/2 (215) 66/5/6

Purpose

Record drawings and design for alterations to apartments in the north wing of the Light Horse Court, one dated 30 September 1816 (2)

Aspect

214 First floor Plan of the Principal Floor of Secretary Comptroller and Stewards Apartments, Chelsea Hospital as existing and omitting the First Chaplain's apartments 215 Ground floor Plan of the apartment of the First Chaplain, The Comptroller, / The Physician, the Steward and The Secretary, as they were / previous to the attention of the year 1816 and ground floor Plan of the apartments of the First Chaplain, / the Comptroller, The Steward and the Secretary with the proposed alterations

Scale

(214-215) bar scale

Inscribed

214 as above, labelled Secretary (three times), Comptroller (eight times), Steward (six times) and Part of the East Court 215 as above, labelled Burton's Court (twice), The First Chaplain's apartment (three times), Yard (twice), First Chaplain, Part of the / Physician / apartment, The Comptroller's apartment (twice), The Steward's Apartment (twice), The Secretary's apartment (twice) and Passage

Signed and dated

(214) 30th September 1816 (215) datable to c.1816

Hand

Soane office

Notes

Soane's repairs to Wren's buildings extended to both the north and south wings of the Light Horse Court. Although there are no surviving designs for the south wing, various alterations and repairs are recorded for the north wing, made as the needs of the occupants changed.

C.G.T. Dean wrote that 'The building on the northern side of Light Horse Court was designed for the "Officers of the House", or senior officials. It consisted of three tenements, each comprising eight rooms. The house nearest the main building was shared by the Steward and Comptroller; that in the middle by the Secretary & Register, his clerk and the Wardrobe Keeper; and that nearest the East Road were occupied by the Sexton.... Some rooms in this block were subsequently redecorated by Robert Adam or John Soane, but others retained their original panelling'. The Chaplain, as can be seen from drawing 215, was housed in the main building, between the Chapel and the east wing. Drawing 215 does not show the part of the building nearest the East Road.

Drawings 214-215 probably correspond to the Board of Commissioner's minute notes for a meeting on 4 October 1816: 'Mr Soane attended with Plans for the alteration of the Secretary, the Comptroller and Stewards Apartments', which are all labelled on drawing 214 and 215. Drawing 215 shows a plan of the room arrangements before Soane's alterations very similar to that of drawing 214. Below this is a design for Soane's intended alterations.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).