Scale
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Inscribed
(Soane) July 29: 1803 / Cornice / F, July 13: 1803 / N.B if the height of 11:3 / should (as it possibly may) / be only 11:0 the diffc / must be in the height of / the brickwork between / the stone plinth & the / stone fascia. // July 14: 1803 / NB The level of the Courts should / be if possible six inches / below the level of the Basement / floor, but this is not absolutely / necessary in all cases, three or 4 inches / might be sufficient for use, A. the recess as shewn 9 inches / on the face, but they must / depend on the gauged work / round the arch, which will / reduce them to 8½ or 8¼, / this must be determined exactly by the Bricklayer / before the mason can get / his plinth & base mouldings / on the stone fascia, fascia, A (five times), B (twice), July 14: 1803, Stone (five times), floor (three times), gauged arch, acct Office Cornice, old cornice, lettered A to E, full size, Wall line, D, full size, July 14: 1803, Fascia, C and dimensions in pen and red pen
Signed and dated
Hand
Soane office and Soane
Watermark
I Taylor 1801
Notes
Drawing 53 is an early working drawing, for the brickwork and masonry of the building's external walls. Soane's inscription indicates his understanding of the imprecise nature of construction, writing that the Court 'should be if possible six inches below the level of the Basement floor, but this is not absolutely necessary in all cases, three or 4 inches might be sufficient...'. He has also ordered that the bricklayer must determine the dimensions of the arches before the mason can work on the stone fascia.
Level
Drawing
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
fuller records where drawings have been catalogued in more detail (an ongoing
process).