Explore Collections Explore The Collections
You are here: CollectionsOnline  /  London: Parliament House (designs for). Design for a relief panel showing the arched gate of a fortresss through which soldiers are carrying booty from a ship. On the right-hand side soldiers with banners and a cannon are departing.
  • image Adam vol.7/118
Use of images and copyright
Enlarge this Image
Print this image in A4 view  (icon indicating printer link)

Reference number

Adam vol.7/118

Purpose

London: Parliament House (designs for). Design for a relief panel showing the arched gate of a fortresss through which soldiers are carrying booty from a ship. On the right-hand side soldiers with banners and a cannon are departing.

Aspect

Elevation

Signed and dated

  • Undated, probably 1762-63

Medium and dimensions

Pencil, pen, brown wash with white heightening on brown washed paper174 x 465

Hand

Antonio Zucchi

Notes

This drawing and the companion drawing in Adam vol.7/119 are separate from the preceding set of four panels depicting scenes of British history (see Adam vol.7/114-117). The subject here is probably a generalised scene of warfare and has no obviously British source. Like all similar drawings by Antonio Zucchi (1726-95) it was intended as part of the decoration of James Adam's Parliament House scheme of 1762/63.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).