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  • image Adam vol.55/71

Reference number

Adam vol.55/71

Purpose

Capriccio showing an interior of a ruined apsidal, vaulted hall with pedimented doorways entered through a large depressed arch, with sculpture in panels and niches, and ruined coffering above.

Aspect

Perspective

Inscribed

Inscribed in ink on drawing 71

Signed and dated

  • Undated, 1755 - 56

Medium and dimensions

Pen143 x 186

Hand

Robert Adam

Watermark

star in circle

Notes

This composition is part of a group of mostly ink drawings, Adam vol.55/71-77, executed in a deliberately casual style that may have served as the inspiration for more elaborate watercolours by both Robert Adam and Charles-Louis Clérisseau (1721-1820) that can be seen in volume 56, see Adam vol.56/123, and in this volume in Adam vol.55/67. This drawing can be seen to have been taken from the small pen sketch in Adam vol.55/81 verso. It is in Robert Adam's rather cramped hand and contrasts with the freedom of other sketches by Adam such as 55/72 or 73. The accuracy of the perspective here is doubtful.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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