[16] Design for the fourth scheme for the mausoleum, 1761, as executed

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Robert and James Adam office drawings
- Monuments and mausolea
  - Bowood Mausoleum, Calne, Wiltshire: mausoleum and monument to John Fitzmaurice, 1st Earl of Shelburne, commissioned by Mary Fitzmaurice, Countess of Shelburne, 1761, executed (23)
    - Preliminary designs, designs and finished drawings for the fourth scheme for the mausoleum, 1761, as executed (9)

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Reference number

SM Adam volume 39/80

Purpose

[16] Design for the fourth scheme for the mausoleum, 1761, as executed

Aspect

Plan of a chapel (to be located above the mausoleum) in the shape of a Greek cross, with a door in one transept, behind a portico of paired columns. Internally, each transept is screened by two columns. Externally the transepts are ornamented with pilasters, and the corners are ornamented with niches both internally and externally

Scale

1/3 inch to 1 foot

Inscribed

Plan of the Chapple of the Countess of Shelburne / at Bowood (in the hand of William Adam) and dimensions and rough calculations given (verso) 1

Signed and dated

1761
datable to 1761

Medium and dimensions

Pen and pencil on laid paper (464 x 514)

Hand

Robert Adam, with addition to title inscription in the hand of William Adam

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 4
Beard, 1978, p. 40
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).