- Published Work: Soane/Baroque/Adam/other architects
It appears Soane was dissatisfied with the effacing aesthetic note of the curved corners adopted. One preliminary solution was for the corners to project slightly forward, thereby giving the exterior the quality of firmitas at the point where it was most wanting. The elevation by Charles Richardson (SM 53/8/25) though dating from 1826, perhaps offers a record of Soane’s intentions to articulate the corners with an engaged giant Corinthian order.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).