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Framed view of Tyringham House (1)


The view of Tyringham shows the entrance front and part of the attached office range. The small windows on the mezzanine floor can be viewed on the east side that faces the office range. Three round-headed first floor windows centred on this wall shed light into a gallery and the principal staircase.

Arthur Bolton, former curator of the Soane Museum (1864-1945, curator 1917-45), writes about the house: 'Soane was wedded to skylines built up of horizontal lines. He, in fact, oscillated between the traditions of Adamitic classic [ie. Robert Adam], and the newer Greek School that was replacing it. There is a feeling in the flat treatment of the facades of Tyringham which recalls the antae of the Greeks rather than the pilasters of the Romans' (A. Bolton, p.14).


A. Bolton, The Works of Sir John Soane, 1924, p.14.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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Contents of Framed view of Tyringham House (1)