Soane seems to have taken the preceding scheme (drawings 62-67) and added to each of the four corners and either side of the entrance, a square, two storey 'turret'. The upper storey is plain and windowless while below, the turrets have horizontal rustication, are framed by Ionic columns and have a single window each. The loggia of the earlier scheme is now a porch with a turret, in the same style, on either side. Apart from two bay windows each for the drawing and dining rooms and two closets for the entrance hall, it is difficult to know what has been gained.
A departure from the previous plan (drawings 62-63) is that the passageway between the old and new buildings is much much narrower.
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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