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image SM Adam volume 5/7

Reference number

SM Adam volume 5/7

Purpose

[26] Preliminary designs for door panels for a drawing room, c1779, possibly executed

Aspect

To the left- Elevation of a panel ornamented with a curule table with an apron of swags, and surmounted by an urn flanked by winged sphinxes. Above this there is a cameo enclosed within a wreath of olive branches, and surmounted by a turned support bearing a further urn, flanked by swags and surmounted by an anthemion To the right- Elevation of a panel ornamented with a central roundel depicting putti, and with an apron of arabesques, drop calyx, tubular flowers, and a pendent oil lamp. Above the roundel, there is a turned support, which is flanked by mermaids and terminates in a tubular flower. This bears an urn ornamented with gadrooning, bands of lozenges and guilloche, ram masks, and festoons, all surmounted by calyx and flora

Scale

not to scale

Inscribed

Lower Pannel of Doors in Sr A Humes Drawing room / Middle panel of Doors in Sr A Humes Drawing room

Signed and dated

c1779

Medium and dimensions

Pencil on laid paper (509 x 670)

Hand

Possibly
Robert Adam

Watermark

V within a cartouche and a crowned cartouche

Literature

Bolton, 1917, p. 6
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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