[10] Design for a chimneypiece for the octagonal dressing room, possibly as executed, c1786

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Robert and James Adam office drawings
- Town houses
  - Brighton
    - Marlborough House, Brighton, Sussex, designs for a house and its interior, for W.G. Hamilton, as executed, c1786 (13)
      - Design for a chimneypiece for the octagonal dressing room, and preliminary design for an overmantel mirror, possibly as executed, c1786 (2)

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Reference number

SM Adam volume 23/173

Purpose

[10] Design for a chimneypiece for the octagonal dressing room, possibly as executed, c1786

Aspect

Elevation of a chimneypiece, with tapering, fluted herm stiles with volutes ornamented with a rosette and anthemion, and capitals ornamented with fluting. The frieze contains a crossed knife and urn, enclosed within a wreath and flanked by rosettes. This is surmounted by a band of acanthus leaves

Scale

to a scale

Inscribed

Mr Hamilton Brighton (pencil) / 173

Signed and dated

c1786
c1786

Medium and dimensions

Pen, pencil and wash on laid paper (409 x 295)

Hand

Possibly
Office hand, possibly Robert Morison

Watermark

GR surmounted by fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 5
McKean (ed.), 2017, p. 18
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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