The indications of site on drawing 9 show a roughly triangular shape with a road to one side but comparison with the plan actually made on site (Soane's Note Book 11 dated 25 April 1784) shows little resemblance. Of the two floor plans, one has a tau-cross form with a bow at the head and the other is close to the sketch plan on drawing 10. The side elevation is also close to that seen in drawing 10. The plan of drawing 10 relates to the plans shown on drawings 7 verso and 9 and all relate to the front elevation and perspective of this drawing (10) that has the essentials of the final design. Puzzling, is the side elevation that appears on drawings 7 verso and 9 as well as on this drawing 10. Because it has three storeys (plus basement) and the profile of a porch is shown it does not seem to relate to the front elevation on the same sheet and yet it crops up three times. A further sketch plan also from volume 42 shares a sheet with a sketch elevation of a five-bay house with a bow to the garden and a loggia on the front; the loggia altered on plan to a bow. See 'Original Sketches / Miscellaneous / Architectural / Subjects': album with 195 drawings by Soane, Dance, Holland and others, dated c.1757 to 1818 (volume 42/109).
Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation
Sir John Soane's collection includes some 30,000 architectural,
design and topographical drawings which is a very important resource for
scholars worldwide. His was the first architect’s collection to attempt to
preserve the best in design for the architectural profession in the future, and
it did so by assembling as exemplars surviving drawings by great Renaissance
masters and by the leading architects in Britain in the 17th and 18th centuries
and his near contemporaries such as Sir William Chambers, Robert Adam and
George Dance the Younger. These drawings sit side by side with 9,000 drawings
in Soane’s own hand or those of the pupils in his office, covering his early
work as a student, his time in Italy and the drawings produced in the course of
his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of
Concise catalogue records – drawn from an outline list of the collection – and
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