- The drawings from the office of Sir John Soane
One difference from earlier designs for the gated entrance can be seen in the addition of vase finials in place of pine-cones surmounting the canopy dome caps. At this stage, Soane indulged in a certain amount of theoretical re-design in the light of changed circumstances; the finial alteration could well be a feature of this.
These sketchbook volumes contain watercolours all by Soane's pupil C. J. Richardson, many of them being signed or initialled and in the same hand.
See also drawing 240 for a view of the entrance gateway.
Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.
Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).
Contents of Record drawings of the gated entrance, one dated 30 July 1832 (2)
-  Record drawing of the gated entrance, 30 July 1832
-  Record drawing of the gated entrance, 1832