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  • image SM volume 59/88

Reference number

SM volume 59/88

Purpose

[135] Presentation drawing of an alternative design for the entrance hall, 2 January 1798

Aspect

Two perspectives and two ground floor plans

Scale

bar scale of 1/20 inch to 1 foot

Inscribed

(upper case) The Marquis of Abercorn / Two designs for / The proposed entrance at Bentley Priory, and plans labelled (Soane): Porte-cochère, Hall, frieze (twice), Old Hall, Porte-cochère, Hall &c / 34 by 20 and dimensions given

Signed and dated

  • 2 January 1798
    L.I.F. Jan: 2d 1798

Medium and dimensions

pencil, pen and coloured washes on laid paper (451 x 310)

Hand

Seward, Henry Hake (1778--1848), draughtsman
Henry Hake Seward (c. 1798-1848, pupil 1794-1808), Henry Joseph Good (1775-1857, pupil 1795-1800) and Soane
SOANE, Sir John (1754--1837), architect
Henry Hake Seward (c. 1798-1848, pupil 1794-1808), Henry Joseph Good (1775-1857, pupil 1795-1800) and Soane
Henry Joseph Good (1775 - 1857), draughtsman
Henry Hake Seward (c. 1798-1848, pupil 1794-1808), Henry Joseph Good (1775-1857, pupil 1795-1800) and Soane

Watermark

I Taylor

Notes

Drawing 135 has two designs for an entrance hall. The left-hand side of the drawing shows a square-plan hall measuring 24 by 24 feet and forming a link, as in drawings 133 and 134, between the porte-cochère and the front door of the existing house. The hall is covered with a pendentive dome supported at four corners by fluted Doric columns. The design establishes a series of segmental arched entrances through which the visitor may pass. The right-hand side of the drawing has a rectangular-plan hall with projecting apsidal alcoves on two sides and arched entrances at the ends. The room has a flat ceiling with coved edges decorated in festoons.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).