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image SM 30/2/86

Reference number

SM 30/2/86

Purpose

[102] Working drawing for the servants' hall in the basement, 30 November 1790

Aspect

Plan and laid out elevations of the Servants hall; detail of architrave to / windw & door; (verso) unidentified ground plan

Scale

to a scale

Inscribed

as above, Mason // Floor - Yorkshire paving to be laid / on bricks // Chimney piece an old one from Brooks / Hill of Portland stone // NB The Portland slab belonging to this / chimney piece not to be used here, Battened, 3'4", 3'6", Plaisterer // Walls to be floated - bastard stucco / common (?) LP set cieling, 16'9", 28'6", Plaister, d only square break, plaister, Battened, Joiner // woodwork to be good yellow deal // jamb linings to door of closet to be the depth / of the recess // WlDl B Butt framing under the windw / d[itt]o square skirting 8½ wide // Two in ¼ pannel B Butt & square doors // Cistern in window in the clear when / finished 1'6" long / 1'3" wide / 1'0" deep // 1½ 2 pannel B B front shutters / WlDl clamped back flaps // Battening ¾ thick; (verso) dimensions given

Signed and dated

Copy Novr 30 1790

Medium and dimensions

Pencil and pen on laid paper (572 x 667)

Hand

Clerk 1788-91 Robert Woodgate, draughtsman
Robert Woodgate (clerk 1788-1791)

Notes

The verso of drawing 102 has an unidentified ground plan showing an arrangement of buildings on a triangular plot containing a narrow building, a small outbuilding containing two ovens, and a staircase beside a curving screen wall.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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