[371] Record drawing, New Law Courts, December 1826

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Office of Works
  - London: Palace of Westminster: The New Law Courts, surveys and designs, 1820-32 (507)
    - New Law Courts - Second Scheme, 1821-29 (345)
      - Northern Range - Court of King's Bench, 1823-29 (207)
        Giant Order Scheme, 1823-26 (17)
        Post Festum Drawings, 1824-26 (10)

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Reference number

SM 53/8/20

Purpose

[371] Record drawing, New Law Courts, December 1826

Aspect

Exterior perspective of the New Law Courts, the New Palace Yard façade with curved corners, from the north west looking south east, as part executed

Scale

to a scale

Inscribed

View of the Exterior of the Court of Kings Bench, as designed. - 1824. -

Signed and dated

01/12/1826 - 31/12/1826
Dec[embe]^r. 1826.

Medium and dimensions

Pencil, coloured washes including raw umber, Payne's grey and sepia, within single ruled border on laid paper (465 x 283)

Hand

Soane Office, draughtsman

Watermark

W Weatherley / 1822

Notes

The view extends to the east of Westminster Hall, showing the buildings belonging to the Auditor of the Exchequer. Four couchant lions on the attic blocks over the curved corners’ giant Corinthian order have been erased.

Literature

Wedgwood, 1992: p. 35, fig. 9; illustrated on p. 35
Sawyer, 1999: p. 505, footnote 1485

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).