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image SM 53/8/11

Reference number

SM 53/8/11

Purpose

[485] Proof engraving, Court of King's Bench, after January 1829

Aspect

Plans of the Court of King's Bench and adjacent offices at three levels; plan of proposed new entrances to New Palace Yard and symmetrical Records building (unexecuted)

Scale

to a scale

Inscribed

Plate 4. / Plan No. 1 / Part of the Court of Exchequer / The Court of Equity / Vestibule / Entrance into / the Court of / Kings Bench. / Passage of Communication from Westminster Hall / to Saint Margarets Street. / The Bail Court / Part of / Westminster Hall / Entrance from Westminster Hall into the COURT OF KINGS BENCH / Jury Box / Staircase / Attendants on / the / Judges / Retiring Room / for the Judges / Area to Admit Light to the Basement / Entrance for / the Judges / Ante Room / or / Waiting Room / Area / Stair- / -case / Entrance for the / Kings Counsel / New Palace Yard / Ante Room / for the Barristers / Entrance for / Barristers &c. / Entrance for the Public / Area (x 2) / No. 2 / Plan of Basement Story / No. 3 Plan of the First Floor & Attic / No. 4 / Westminster Hall

Signed and dated

publication date of 1829

Medium and dimensions

Engraving, on wove paper (282 x 474)

Hand

Attributed to CONEY, John (1786-1833), engraver

Notes

This appears to be an unused proof plate for one of Soane's printed accounts on the New Law Courts. There is no comparable print in either the concise or extended Brief Statement.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).