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image SM Adam volume 32/100

Reference number

SM Adam volume 32/100

Purpose

[1] Finished drawing for the basement storey, 1771, as executed

Aspect

Plan of the basement storey of a five-bay house with an irregular exterior east wall and with a central staircase set within an oval compartment. There is an additional building shown in pink wash to the east of the house containing cellars. Extending beyond the front of the house there are subterranean stables and additional vaults

Scale

to a scale

Inscribed

Plan of the Ground Story of a House at Hyde Park Corner for the Lord Chancellor / Plan of the Ground Story of Apsley House for the Lord Chancellor at Hyde Park Corner (pencil) / Larder / Cover’d Passage / Scullery / Larder / Butlers Pantry / Passage / Kitchen / Cellar / House Keeper’s Room / Press / Press / Press / Wine Binns / Strong Room / Wine Cellar / Cellar / Stewards Room / Passage / Servants Hall / area / area / Passage / Passage / Stable / Passage / Stable and some dimensions given

Signed and dated

Rob.t Adam Archt. 1771

Medium and dimensions

Pen, pencil, wash and coloured washes including pink on laid paper (469 x 644)

Hand

Possibly
Office hand, possibly Joseph Bonomi or William Hamilton

Watermark

PVL

Notes

Adam volume 32/100 and 32/102 shows an additional three storey block of services rooms to the east of the main building, shown in pink, accessible via the servants’ hall. Lea speculates the possibility that this part of the site was covered by a separate leasehold and likely part of a separate phase of development.

Literature

Bolton, 1922, Volume II, Index p. 43
Harris, 2001(b), p.99
Lea, 2005, p. 6
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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