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image SM Adam volume 20/170

Reference number

SM Adam volume 20/170

Purpose

[24] Design for an overmantel mirror frame for the great drawing room (now the portico room), 1778, possibly executed

Aspect

Elevation of an overmantel mirror frame surmounted by a central figurative medallion which is part enclosed within a fan surrounded by ram masks and festoons. Above this, there is an urn ornamented with gadroons. All of this is flanked by crockets and alternative designs of festoons and corner tripods supporting urns

Scale

bar scale of 1 ½ inches to 1 foot

Inscribed

Design of a Glass frame to be placed over the Chimney in the Drawing room at Bathurst House and dimensions given

Signed and dated

Adelphi / 31st Janry 1778.

Medium and dimensions

Pen, pencil and coloured washes including Indian yellow and cerulean blue (290 x 454)

Hand

Office hand, possibly Joseph Bonomi or Robert Morison

Watermark

GR surmounted by a fleur-de-lis within a crowned cartouche

Notes

It is not known whether this design was executed.

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 1963, p. 57
Harris, 2001(b), p. 100
Lea, 2005, p. 11
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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