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  • image SM Adam volume 17/47

Reference number

SM Adam volume 17/47

Purpose

[42] Unfinished design for a segmental table for Lady Bathurst’s dressing room / third drawing room, 1779, possibly executed

Aspect

Part plan of a segmental table top ornamented with a patera enclosed within a fan. Beyond this there is a central figurative tablet, surmounted by an urn and with an apron of ribbons, festoons and a mask. This is flanked by ribbons and festoons with pendent roundels. The slab is bordered by a band flanked by further bands of beading Elevation of a table frame with Ionic, tapering legs. The capitals contain paterae and there is a frieze ornamented with paterae, anthemia and figrative medallions, and this has an apron of festoons

Scale

bar scale of 2 inches to 1 foot

Inscribed

Design of a Table frame & top for Lady Bathurst’s Dressing room

Signed and dated

  • June 1779
    19th June 1779

Medium and dimensions

Pen, pencil and coloured washes including pink, cerulean and Indian yellow on laid paper (274 x 376)

Hand

Possibly
Office hand, possibly Joseph Bonomi or Robert Morison

Verso

Preliminary design for a table elevation comparable to SM Adam 17/47, (pen and pencil)

Watermark

JWHATMAN

Literature

Bolton, 1922, Volume II, Index p. 44
Harris, 1963, p.57
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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