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image SM Vol 54/13

Reference number

SM Vol 54/13

Purpose

[25] Preliminary survey, Westminster Hall, 24 April 1824

Aspect

Detail elevations and sections of plinth and stringcourse moulding profiles on the north façade of Westminster Hall, with half elevation of blind window

Scale

not to scale

Inscribed

Parts of the North Front / of Westminster Hall. / Mouldings of the / lowest Base of the / Hall. / Line of the bottom of the Plinth / Window / False / Window / in the / side / Mouldings of large / Mouldings of / the highest Cornice / 7 Heads in / the side, Mouldings of / Middle Cornice, No. heads / Mouldings of / the lowest cornice. / No heads / Mouldings of small dimensions given

Signed and dated

The date occurs on the adjacent leaf (see SM Vol 54/14) and has been erased and overwritten at the right-hand corner of this drawing.

Medium and dimensions

Pencil, on wove paper bound in volume (211 x 281)

Hand

Stephen Burchell (1806 - c.1843), draughtsman
The Day Book entry for 24 April 1824 records that Stephen Burchell was engaged in Sketching parts of Westminster Hall.

Notes

This series of survey drawings (SM Vol 54/13 - 16; 18 - 19) may have been prepared in response to the Select Committee's criticism of the New Law Courts, and their junction with the north façade of Westminster Hall. The false or blind window is located on the second storey of the north-west tower's western face, immediately adjacent to the junction between the Hall and Soane's Court of King's Bench.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation. This catalogue of Soane’s designs for the New Law Courts was generously funded by The Worshipful Company of Mercers and The Pilgrim Trust.

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).