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image SM Adam volume 34/29

Reference number

SM Adam volume 34/29

Purpose

[21] Design for a house, 1779, unexecuted

Aspect

Elevation of the principal (north) front of a house, with a two-and-a-half-storey, five-bay central block, with a hipped roof, surmounted by a central three-bay drum and dome, a central three-bay Doric portico and pediment, composing a porte-cochère, and flanked by curved roadways, with medallions above the central door and flanking windows on the first storey, and with tripartite windows on the first and second storeys in the end bays, and the tripartite windows on the first storey are within relieving arches, and the central light is pedimented. The central block is flanked by one-and-a-half-storey, five-bay wings, with hipped roofs, with a central three-bay bow surmounted by a conical roof, and with Diocletian windows on the ground storey in the end bays, and each bay is surmounted by a rectangular relief panel above the first storey windows, and the right-hand wing is balustraded

Scale

bar scale of 1 1/4 inches to 10 feet

Inscribed

Great Saxham in Suffolk the Seat of / Hutchinson Mure Esqr (all in the hand of William Adam and underwritten in pencil) / 3d Design

Signed and dated

18t April 1779

Medium and dimensions

Pen, pencil and wash on laid paper (653 x 489)

Hand

Adam office hand, possibly Robert Morrison, additions to inscription in the hand of William Adam

Verso

No 2

Literature

Bolton, 1922, Volume II, Index p. 15
Rowan, 1985, p. 48
King, 2001, Volume II, p. 126
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).