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image SM 38/3/6

Reference number

SM 38/3/6

Purpose

[6] Survey of mouldings

Aspect

Details of Mouldings of his [Perceval's] House in Lincolns Inn Fields

Scale

bar scale of 1/4 inch to 1 inch

Inscribed

as above, The Honble / S Perceval, labelled: Plan of Capital, Capital, Pedestal, Base of Pillaster (sic) and dimensions given

Signed and dated

Lincolns Inn Fields / Octr 17th 1802

Medium and dimensions

Pen, sepia and yellow ochre washes, pricked for transfer on laid paper with one fold mark (555 x 681)

Hand

William Edward Rolfe
Pupil November 1801 - 1804.

Notes

This scale drawing shows details of parts of the pilasters that adorn the front of the house - namely the pedestal, base and capital, which is shown in both plan and elevation. The Survey of London describes how 'the pilasters are diminished as they rise and are given an entasis, this "diminishing" somewhat reduces the size and importance of the capitals. "Swags" are introduced in the capitals similar to those in Nos. 51 and 52 [since demolished].' (W. E. Riley and L. Gomme (eds), Survey of London: volume 3: St Giles-in-the-Fields, pt.1: Lincoln's Inn Fields, 1912, p. 97).

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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