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  • image SM 40/4/1

Reference number

SM 40/4/1


[18] Design for the elevation


The Elevation


bar scale of 2/7 inch to 1 foot


as above, William Adair Jackson Esqr / Fountain Court, No 1, labelled: 10.0, 1.0, 10.0, 1.6, 9.0, 1.0, 7.0; (verso, pencil) W. A. Jackson Esqr / Fountain Court

Signed and dated

  • 12 July 1804
    Lincolns Inn Fields July 12 1804

Medium and dimensions

Pen, sepia, pink and yellow ochre washes, partly pricked for transfer with double ruled sepia wash border on wove paper (478 x 666)


Charles Malton (1788)
Pupil February 1802 - December 1809.


1801 / J Whatman


The elevation is seven bays wide with three storeys above a raised basement. The main entrance is accessed by a double staircase and is set within a recessed arch. Ornamentation is restricted to scrolled acroteria - a favourite motif of Soane's - above the end bays and cornices above the outer entrances.



Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).