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image SM Adam volume 24/221

Reference number

SM Adam volume 24/221

Purpose

[88] Preliminary design for a chimney board for the Etruscan room, 1777

Aspect

Elevation of a rectangular chimney board, ornamented with tripods, urns, medallions, cameos, peltoid shields, festoons, putti, anthemia, sphinxes, tubular flowers, enclosed rosettes, and a figurative tablet showing an ox being led to sacrifice, with alternative arrangements of the ornamentation to the left- and right-hand sides

Scale

bar scale of 2 3/5 inches to 1 foot

Inscribed

Chimney Board for Mrs Child at Osterly / for the Etruscan Room and some dimensions given (all in pencil)

Signed and dated

datable to 1777

Medium and dimensions

Pen and pencil on laid paper (279 x 424)

Hand

Robert Adam

Literature

Stillman, 1966, pp. 59-60
Tomlin, 1972, p. 79
Harris, 2001, p. 352
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).