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image SM Adam volume 42/29

Reference number

SM Adam volume 42/29

Purpose

[3] Preliminary design for the house, 1768

Aspect

Elevation of the principal front of a three-storey, nine-bay house, with a hipped roof, and with tripartite windows in the central and end bays of the ground storey, and Venetian windows in the central and end bays of the first storey, and with the central three bays slightly projecting on the ground storey, and supporting a three-bay Ionic portico and pediment, and with all three storeys slightly projecting in the end bays, and with a frieze of fluting and enclosed rosettes. The house is flanked by one-storey, three-bay wings, with a central square-headed, urn-filled niche, flanked by semicircular-headed niches

Scale

bar scale of 1 1/5 inches to 10 feet

Inscribed

Principal Front of a House for John Murray Esqr of Philliphaugh / (and in pencil in the hand of A.T. Bolton) finished copy signed 'James Adam 1768' / seen this 1930 and some measurements given

Signed and dated

datable to 1768

Medium and dimensions

Pen and pencil on laid paper (517 x 361)

Hand

James Adam, and additional inscriptions in pencil by A.T. Bolton

Watermark

LVG surmounted by fleur de lis within crowned cartouche

Literature

Bolton, 1922, Volume II, Index p. 26
King, 2001, Volume II, p. 132
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).