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  • image SM Adam volume 12/3

Reference number

SM Adam volume 12/3

Purpose

[6] Record drawing for a ceiling for the front drawing room, 1769

Aspect

Plan of a rectangular ceiling with a chimneybreast on one of the short sides. There is a central medallion, enclosed within circular frames of laurel leaf tips, and an octagonal fan within an octagonal frame of fluting and laurel leaf tips, enclosed by festoons supporting four peltoid shields. The whole is set within a shaped x-shape arrangement of reed and ribbon, with a fan and an oval medallion in each corner, and an urn supporting arabesques on each side, and this is overlaid in each corner by a shaped triangular compartment containing winged griffons with arabesque tails

Scale

bar scale of 3/4 inch to 1 foot

Inscribed

Cieling for the front Drawing room at Sir Robert Richs House Grosvenor Square

Signed and dated

  • 1769
    1769.

Medium and dimensions

Pen, pencil and coloured washes including pink and terre verte on laid paper (487 x 457)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 37
King, 2001, Volume II, p. 180
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).