[5] Designs for alterations to the ground floor and the one pair floor, 9 September 1801

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Sir John Soane office drawings: the drawings of Sir John Soane and the office of Sir John Soane
- Town houses
  - London: 22 Dunraven Street (former New Norfolk Street), Westminster: alterations for John Hammet MP, 1801 (7)

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Reference number

SM volume 67/35

Purpose

[5] Designs for alterations to the ground floor and the one pair floor, 9 September 1801

Aspect

Plan of the Ground Floor with the proposed Alterations and Plan of the One Pair Floor with the proposed Alterations

Scale

bar scale of 1/6 inch to 1 foot

Inscribed

as above, labelled: Dressing / Room, The Proposed / Entrance, Arch (twice), Staircase / & / Hall, 9 (6 times), 1.1½, Eating Room / New Cieling (sic), Cornice & / the Walls Stuccoed, New / Door (3 times), Anti Room / or / First Drawing / Room, Drawing Room / Enlarge the Bow, New Cieling (sic) / & Cornice & Ch^y piece altered

Signed and dated

9 September 1801
Lincolns Inn Fields Sept^r 9^th 1801

Medium and dimensions

Pencil, pen, sepia and light red washes, pricked for transfer on wove paper (550 x 663)

Hand

Thomas Sword
Pupil January 1799 - 1804.

Watermark

WL 1794

Notes

The alterations in this design include a new entrance hall and a bowed projection from the first floor, added to the plan of the ground floor by Soane. In the plan of the first floor the projection is canted.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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