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Preliminary design and record drawing for carpets for the chapel, 1780, unexecuted (2)


The ceiling in the chapel was a fan vault ornamented with stucco, and the design was supposedly inspired by that from King’s College Chapel, Cambridge. There are no drawings for the chapel ceiling, but Harris has suggested that it must have been similar to Adam’s design for the central carpet. The chapel caret was not executed, and instead the floor was covered with a floor cloth. However, the circular pew was provided with a carpet, but it is not known if the surviving drawing shows the executed design as it was probably lost when the chapel interior was demolished by Sir Anthony Salvin in the 1850s.



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Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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