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image SM Adam volume 40/30

Reference number

SM Adam volume 40/30

Purpose

[37] Finished drawing for farm offices containing stables, c1763, unexecuted

Aspect

Plan of a rectangular farm and stable court with a colonnaded carriage house, carriage entrances, and different functions within each range and corner pavilion. The front and rear ranges have a five-bay central block, five-bay links, and one-bay corner pavilions. The side ranges have three-bay central blocks flanked by one-bay entrances and one-bay corner pavilions

Scale

bar scale of 3/4 inch to 10 feet

Inscribed

Farm Offices at Kiddleston for Lord Scarsdale (in the hand of William Adam) / Slaughter house / Hen / House / Yard / Yard / Styes / Yard / Place for Waggons and Carts with a Grainery over it / Dog Kennel / Yard / Dog Kennel / Carpenters Shop / Passage / Barn / Passage / Smiths Shop / Byre with Stalls for 16 Oxen / Calves Room / Principal Entry / Harness Room / Stables for 12 Horses / Bayliffs Room / Passage / Place for Corn / Barn / Threshing Floor / Place for Corn / Passage and dimensions given (verso) 3 / 3

Signed and dated

datable to c1763

Medium and dimensions

Pen and wash within a single ruled border on laid paper (552 x 407)

Hand

Adam office hand, possibly Agostino Brunias or Laurent-Benoît Dewez, with title inscriptions in the hand of William Adam

Watermark

IV and LVG and fleur-de-lis within crowned cartouche

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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