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  • image SM Adam volume 17/173

Reference number

SM Adam volume 17/173

Purpose

[15] Preliminary design for a carpet for the drawing room, 1774; it is not known if this design was executed

Aspect

Plan of a tripartite, rectangular carpet, divided by bands of fret, and with a border of rosettes enclosed within connected lozenges and roundels. The central square compartment contains a rosette enclosed within waterleaf, a fan ornamented with anthemia, a circular frame ornamented with a wreath, and a broad circular band accompanied by a serpentine ribbon forming segmental and quadrilateral panels, ornamented with rinceaux, urns, paterae, fans and anthemia. The bordering rectangular compartments are tripartite, with compartments containing enclosed rosettes, flanking a larger compartment containing a rosette, enclosed within a band of waterleaf, a fan ornamented with anthemia, and a circular frame ornamented with a wreath (verso) a floor plan

Scale

bar scale of 1 inch to 1 foot

Inscribed

Carpet for the Drawing Room at Northumberland House / Green / Purple / (and in pencil) Pink / Brown / Green / Blue / Pink / Purple / Pink / Blue / Blue / Pink / Green [ ____ ] / Pink / Purple / Green leaves / Green / Purple / Green / A / A / Pink / Brown / Green / Ind [ ____ ] / Green / [ _ _ _ _ ] pink / fillets yellow / Brown / pink on Ground / purple / darker Green and some measurements given (verso) Northumberland House (in pencil)

Signed and dated

  • 25/06/1774
    Adelphi June 25t 1774

Medium and dimensions

Pen, pencil and coloured washes including Indian yellow, sepia, verdigris, and pink on laid paper (961 x 613)

Hand

Adam office hand, possibly William Hamilton or Joseph Bonomi

Watermark

PVL

Literature

Bolton, 1922, Volume II, Index p. 42
Harris, 1963, p. 56
Harris, 2001, p. 102
For a full list of literature references see scheme notes.

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).