[4] Finished drawing for a candlestick, c1775, executed with minor alterations

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Robert and James Adam office drawings
- Town houses
  - London
    - Roxburghe House, Hanover Square, London, designs for a house and interiors for John Ker, 3rd Duke of Roxburghe, c1775-79 (55)
      - Preliminary designs, design and finished drawings for urns, candelsticks and a candelabrum, c1775, possibly executed (5)

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Reference number

SM Adam volume 25/128

Purpose

[4] Finished drawing for a candlestick, c1775, executed with minor alterations

Aspect

Elevation of a candlestick with a flared base ornamented with beading, fan work, leaf tips, and fluting. Above the base there is a panel containing on ox skull flanked by swags. The central support of the candlestick is tapered and fluted, and this terminates in an arabesque flanked by acanthus leaves. Above this there is a panel containing a patera set within an oval band of foil. The support is surmounted by a candle holder with a socle base and in the form of a tubular flower. The holder is ornamented with a band of reed and ribbon, and a band of enclosed calyx

Scale

to a scale

Inscribed

Candlestick for the Duke of Roxburghe / 50

Signed and dated

c1775
c1775

Medium and dimensions

Pen, pencil and wash on laid paper (201 x 406)

Hand

Possibly
Office hand, possibly Joseph Bonomi

Literature

Bolton, 1922, Volume II, Index p. 40
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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