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  • image SM Adam volume 29/50

Reference number

SM Adam volume 29/50

Purpose

[1] Finished drawing for the basement storey of a house, c1772, unexecuted

Aspect

Plan of the basement storey of a seven-bay building, with proposed alterations. There is a central entrance to the north which links to a passage. The passage leads to domestic offices, a dog-legged staircase, and a courtyard. To the west there is a wine cellar and a vaulted ale and cider cellar. There is a central vaulted wine cellar containing wine bins, with a proposed alternative servants’ hall. Beyond this there is a further staircase, and there is a cellar for small beer to the south. To the east of the building there are proposed alterations for a kitchen accessed via steps and containing a range and a copper. The kitchen links to a scullery, with larders and an additional staircase beyond. To the south there is a coal cellar, with proposed alterations for a cellar with wine bins

Scale

bar scale of 1 1/2 inches to 10 feet

Inscribed

Plan of the Ground Story (and in the hand of William Adam) for John Radcliffe Esqr near Hitchen / Ale and Cyder Cellar / Wine Cellar / Stewards Room / Staircase / Passage / Away- (pencil) / Bottled wine / Servants Hall (pencil) / Passage / Court / Small Beer Cellar / Housekeepers Bed Room / Butlers Pantry (pencil) / Passage (pencil) / Coal Cellar / Wine (pencil) / Housekeepers Room / Kitchen / Scullery / Larder / Larder / Staircase / Closet

Signed and dated

  • c1772
    c1772

Medium and dimensions

Pen, pencil, wash and pink wash on laid paper (507 x 434)

Hand

Possibly
Office hand, with part title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index p. 18
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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