[8] Finished drawing for the northeast front of a building, c1764, unexecuted

Explore Collections

You are here: CollectionsOnline / [8] Finished drawing for the northeast front of a building, c1764, unexecuted

Browse

Robert and James Adam office drawings
- Country houses
  - Luton Park, designs for a house and interiors including an organ case for John Crichton Stuart, 3rd Earl of Bute, c1763-72 (56)
    - Designs for a building, c1764, unexecuted (8)

Use of images and copyright
Enlarge this Image

Print this image in A4 view

Reference number

SM Adam volume 37/41

Purpose

[8] Finished drawing for the northeast front of a building, c1764, unexecuted

Aspect

Elevation of a two-and-a-half storey, seventeen-bay crenellated building. The central block is eleven bays, with full-height windows on the ground and first storeys, with half-height windows in the upper register. The building terminates in three-bay square towers, with tripartite windows on the ground and first storeys, and this is surmounted by single-storey turrets

Scale

bar scale of 3/4 inch to 10 feet

Inscribed

North East Front of Luton Castle in Bedfordshire- / one of the Seats of the Earl of Bute (in the hand of William Adam, underwritten in pencil) / Extends 217ft. 7.In. and some dimensions given

Signed and dated

c1764
c1764

Medium and dimensions

Pen, pencil and wash within a single ruled border on laid paper (530 x 369)

Hand

Possibly
Office hand, possibly Giuseppe Manocchi or William Hamilton, with part title inscription in the hand of William Adam

Verso

2 Rough preliminary plan (pencil)

Watermark

IHS IVILLEDARY

Literature

Bolton, 1922, Volume II, Index, p. 21
Russell, 1992, pp. 44-47
King, 2001, Volume I, p. 12; Volume II, pp. 85, 131, 163
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).