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  • image SM Adam volume 29/84

Reference number

SM Adam volume 29/84

Purpose

[6] Unfinished design for the south front of the house, ND, not known to have been executed

Aspect

Design for a three-and-a-half-storey, five-bay house, with a half-hipped roof with proposed additions, and a three-and-a-half-storey, three-bay wing, with a pyramidal roof. The principal block has three-quarter-height windows at the ground-storey level, with full-height windows at the first-storey level set behind a wrought-iron balustrade, with the central bay pedimented. Above this, at the second-storey level there are half-height windows, and two-storey Corinthian pilasters terminate the first and fifth bays. Preliminary designs for proposed alterations form a Corinthian screen for the first- and second-storey levels. Above this the attic register has balustraded quarter-height windows, with alternate windows pedimented. To the left of the principal block there is a stepped entrance, with Tuscan pilasters surmounted by a balustraded balcony. Above this there is a Corinthian pilaster screen and a pitched roof. To the right of the principal block the three-bay wing has a central entrance, with a string course above, and flanked by rusticated pilasters surmounted by finials. The ground- and first-storey levels omit windows, with half-height windows at the second storey level

Scale

bar scale of 7/8 inch to 10 feet

Inscribed

South front of Hopetoun house to Cavendish Square (in the hand of William Adam) / 82 (pencil)

Signed and dated

  • ND
    ND

Medium and dimensions

Pen and pencil on laid paper (494 x 270)

Hand

Possibly
Office hand, possibly, with title inscription in the hand of William Adam

Watermark

GR surmounted by a fleur-de-lis within a crowned cartouche

Literature

Bolton, 1922, Volume II, Index, p. 40
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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