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  • image Image 1 for SM47/5/44
  • image Image 2 for SM47/5/44
  • image Image 1 for SM47/5/44
  • image Image 2 for SM47/5/44

Reference number

SM47/5/44

Purpose

[51] Designs for a louvre window at St John’s, Bethnal Green, London, 10 November 1827

Aspect

Two elevations and two sections of window designs. There is an elevation and section of a louvre window on the left and an elevation and section of a smaller arch-topped window on the right. Both have wooden frames and shutters

Scale

bar scale of 2 inches to 1 foot

Inscribed

4 of this dimension / oak / deal / deal / deal / deal / deal / A / deal / deal / deal / to opening / oak sill / deal / deal / deal / deal / deal / (in pencil) Dec 10 1827 / Rot Streather to give in an Estimate for / Frames and Louvre Boarding in tower at / Bethnal Green Chapel / Robt Sterather / This amount to be acceded tp. / [fisce] & Complete Each / & / & / & / 4 of this dimension / deal / deal / deal / deal / B / deal / deal / Given Rot Streather 10th November 1827 / to make and Estimate from _ _ _ / Returned 30th Nov 1827 after the / Frames were made and measurements given

Signed and dated

  • 10 November 1827

Medium and dimensions

Pencil and pen, pricked for transfer, on wove paper (378 x 307)

Hand

Probably Soane Office, draughtsman

Verso

Faded pencil designs for an unknown subject

Notes

This is the only example in the entire corpus of three churches of the specifics for the louvre window

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).