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image SM 47/5/26

Reference number

SM 47/5/26

Purpose

[56] Design for the east side and caps for St John’s, Bethnal Green, London, 20 November 1827

Aspect

Elevation of the east side and two detail elevations caps for the roof. The elevation of the rear of a church of five bays from outlined footings and vault to nave level with two windows on the end bays, gallery level with five windows across, and roof level with a wide stone facing and a smaller plinth with a pediment. There are two elevations in the left corner with the one on the left showing the end of a slated roof with a stone recessed base with a pair of caps, while the second to the right only shows the very end of the roof and pediment with cap and pinecone finial which has been struck through

Scale

bar scale of 1 inch to 5 feet

Inscribed

J.S / Mr R. Streather. / agrees to [_ _ _ _ ] [_ _ _ ]. / Church at 4: 10: 0 / with Iron plugs in each / J. S / 1. 3 thick / [qt]? / flue and some measurements given

Signed and dated

  • 20 November 1827
    20 Nov: 1827 This is the date given when Robert Streather agreed to the work, but it cannot be assumed the drawing was executed close to this date. However, it is the only date recorded on the drawing.

Medium and dimensions

Pencil, pen, wash, coloured washes of Payne’s grey, stone and yellow, on wove paper (745 x 540)

Hand

Probably Soane Office, draughtsman
Probably SOANE, Sir John (1754--1837), architect

Literature

John, 2003, pp. 65 fig. 66, 66 (gives wrong fig. no. of 56)

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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