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You are here: CollectionsOnline  /  [7] Finished drawing for Mistley Church, c1776, as executed
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image SM Adam volume 41/69

Reference number

SM Adam volume 41/69

Purpose

[7] Finished drawing for Mistley Church, c1776, as executed

Aspect

Section of a two-storey building, flanked by Tuscan porticoes, surmounted by acroteria supporting statuary. There is a central altar ornamented with a roundel and strigilation, and this is surmounted by a tablet inscribed with the Ten Commandments, flanked by Corinthian columns. This is set within a relieving arch containing a lunette and flanked by Ionic pilasters, with Ionic screens and balconies beyond. Above all this there is a domed ceiling containing a conical oculus, and ornamented with paterae enclosed within wreaths, set within octagonal compartments, separated by arabesques. All this is surmounted by pediments supporting acroteria, and a domed belvedere articulated by Ionic columns, and supporting a weather vane

Scale

to a scale

Inscribed

Section through Mistley Church (in the hand of William Adam)

Signed and dated

  • c1776
    c1776

Medium and dimensions

Pen, pencil, wash and pink and Naples yellow washes on laid paper (417 x 277)

Hand

Possibly
Office hand, possibly Joseph Bonomi, with title inscription in the hand of William Adam

Literature

Bolton, 1922, Volume II, Index, p. 23

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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