[2] Unfinished design for a chimneypiece for the eating room, 1776, possibly executed

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Robert and James Adam office drawings
- Town houses
  - London
    - Frederick's Place, number 6 (The Great House), London, Mr. Adam, 1776 (6)
      - Unfinished design for a chimneypiece for the eating room, 1776, possibly executed (1)

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Reference number

SM Adam volume 24/49

Purpose

[2] Unfinished design for a chimneypiece for the eating room, 1776, possibly executed

Aspect

Elevation of a chimneypiece, with a stile ornamented with a console terminating in an acanthus leaf which suspends drop calyx. The frieze is ornamented with arabesques supporting fans, enclosed within a semi-circular band of calyx, and this alternates with calyx supporting anthemia. Above this the mantel is ornamented with bands of dentils and of egg and dart moulding

Scale

bar scale of 2 inches to 1 foot

Inscribed

Chimney Piece for the Eating room in Mr. Adam's House (underwritten in pencil) / (in a second hand) Fredericks Place / 49/ faint pencil inscription right-centre and some dimensions given

Signed and dated

August 1776
Adelphi August 1776. (in a third hand) / (signature cropped)

Medium and dimensions

Pen and pencil on laid paper (405 x 290)

Hand

Probably
James Adam

Literature

Bolton, 1922, Volume II, Index, p. 60
For a full list of literature references see scheme notes.

Level

Drawing

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

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