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image Image 1 for SM 77/3/6
image Image 2 for SM 77/3/6
  • image Image 1 for SM 77/3/6
  • image Image 2 for SM 77/3/6

Reference number

SM 77/3/6

Purpose

[68] Working drawing

Aspect

Details (recto and verso)

Scale

to a scale and full size

Inscribed

Henry Peters Esqr / Betchworth Castle, No.6 frames of Sashes plan of / the frames / below full size middle / Sash to hang upon (?) centers, No 4 frames of Sashes Plan of the / frames below full size the sash to hang upon (?) Centers, labelled: Yelow Deal (3 times), Middle --------- [illegible], Sashes & frames for Stables, Oak Cill and some dimensions given (verso) Henry Peters Esqr, Oak Top Rail / full size, Oak (twice), Bottom Rail, Racks for Stables, No 14 - Rack

Signed and dated

Copy Lin: Inn Fields March 22 (?) 1800 The date of year is not clear. The office Day Book has no entry for Mr Peters on 22 March 1800

Medium and dimensions

Pen on coarse laid paper (512 x 323)

Hand

Soane office

Notes

The windows, in two sizes, take the form of a Diocletians window, that is, semicircular in form and divided by two mullions, the centre part being larger than the sides. This Neo-Palladian solution came from William Kent (1685-1848) who first used them in 1731 for the Royal Mews at Charing Cross and then for the stables at Houghton Hall, 1733-4 (G. Worsley, The British Stable, 2004, pp.138-8

Level

Drawing

Digitisation of the Drawings Collection has been made possible through the generosity of the Leon Levy Foundation

If you have any further information about this object, please contact us: drawings@soane.org.uk

Sir John Soane's collection includes some 30,000 architectural, design and topographical drawings which is a very important resource for scholars worldwide. His was the first architect’s collection to attempt to preserve the best in design for the architectural profession in the future, and it did so by assembling as exemplars surviving drawings by great Renaissance masters and by the leading architects in Britain in the 17th and 18th centuries and his near contemporaries such as Sir William Chambers, Robert Adam and George Dance the Younger. These drawings sit side by side with 9,000 drawings in Soane’s own hand or those of the pupils in his office, covering his early work as a student, his time in Italy and the drawings produced in the course of his architectural practice from 1780 until the 1830s.

Browse (via the vertical menu to the left) and search results for Drawings include a mixture of Concise catalogue records – drawn from an outline list of the collection – and fuller records where drawings have been catalogued in more detail (an ongoing process).